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Amid Tears and Sorrow
On a presentation copy of his A Major Cello Sonata, Beethoven wrote Inter lachrymas et luctus- amid tears and sorrow. Despite its inscription, the A Major Cello Sonata is basically not a sad work. The irony for us is in the performance by Barenboim a...(more details) |
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The Working Process
The Second and Third Leonore Overtures offer an invaluable insight into Beethoven's working methods, the process by which he created, and his attitude toward his music. How did Beethoven unite the themes and chromatic progressions, the colors, contra...(more details) |
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The Comprehensive Vision
Beethoven's last appearance in concert was in the Fourth Piano Concerto-one of the least dramatic of his works. Without the shattering emotion of the Eroica, the Fifth or the Ninth Symphonies, or the power of the Emperor Concerto, the tragic sense of...(more details) |
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Orpheus Taming the Furies
It is only a few minutes from the angelic, gentle, calm statements of the first movement of the Fourth Concerto to the orchestral explosion in the second movement-an explosion for which a lesser composer might have required a huge brass section but w...(more details) |
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The Late Works
Beethoven's late works must be experienced and the analysis limited to the facts-the music is more compact, the use of contrasts is heightened, changes are more abrupt, the themes simpler. Turning from the symphony to the string quartet is an example...(more details) |
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