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Beethoven and the Sonata Form
Form was a continuing concern for Beethoven-the structure and inner logic of music, the way themes are built and developed and which elements are juxtaposed, and particularly the creation of unity from opposing ideas and themes. That is why the sonat...(more details) |
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The Fifth Symphony
The more one knows about Beethoven's music, the less necessary is it to say anything. By this time, students should understand the relationship between Beethoven's deafness and his composition, his use of sudden contrasts and about-faces, his mastery...(more details) |
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Beethoven the Promethean
Barenboim illustrates and explains Beethoven's individualistic style, how he made the musical tradition of Haydn and Mozart his own, and the link between his music and his personal struggles and deafness. Selections performed: Symphony No. 2, Sonata ...(more details) |
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The Last Piano Sonata
Opus 111, Beethoven's last sonata, has only two movements; there appears to be nothing further to say. The first movement shows his terrifying energy; the second is serene, elemental. Barenboim analyzes the development of subjects, the contrasts in m...(more details) |
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Amid Tears and Sorrow
On a presentation copy of his A Major Cello Sonata, Beethoven wrote Inter lachrymas et luctus- amid tears and sorrow. Despite its inscription, the A Major Cello Sonata is basically not a sad work. The irony for us is in the performance by Barenboim a...(more details) |
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