While Italians looked to Florence as their artistic center, northern Europeans looked to Flanders and Germany, where a distinctive Renaissance style was created, based on an exploration of visual realism.
This program examines: Rogier van der Weydens St. John Altarpiece (after 1450), from the Alte Nationalgalerie, Berlin Rogier van der Weydens Portrait of a Young Woman (circa 1455), from the National Gallery of Art, Washington, DC Hugo van der Goes Adoration of the Magi (circa 1470), from the Alte Nationalgalerie, Berlin Albrecht Dürers Portrait of an Unknown Cleric (1516), from the National Gallery of Art, Washington, DC Hans Holbein the Youngers Portrait of the Artists Wife with Katharina and Philipp (1523), from the Kunstmuseum, Basel Pieter Bruegel the Elders The Triumph of Death (circa 1562), from the Museo del Prado, Madrid (60 minutes)
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