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Opera: Words and Music
This program uses three extracts from the opera Dido and Aeneas to examine the main musical language of opera-recitative, which gives priority to clear pronunciation of words, and aria, where poetic modifications are made to give the fullest emotion...(more details) |
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Composing
How does one embellish a simple tune with melody, harmony, and a variety of timbres to produce an interesting piece of music? In this program, renowned composer George Fenton demonstrates the various techniques on piano and synthesizer. Fenton incorp...(more details) |
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Taking Note
Notation-its historical development, limitations, and use by both classical and modern composers-is the focus of this program. Music historian Susan Rankin traces the history of notation from ninth-century neumes to more complex notations incorporati...(more details) |
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Theory and Practice
In the Pastoral Symphony, Beethoven was trying to conjure up his impressions of the countryside around Vienna. But how exactly did he translate those images into his music? This program explores the fundamental role played by music theory in the prac...(more details) |
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Ensembles in Performance
Two complex pieces of chamber music-Corelli's Concerto Grosso Op. 4 No. 6 and Schubert's Octet in F major-are the focus of this program. Their performance by the Brandenburg Consort and Hausmusik is designed to enhance the development of discriminati...(more details) |
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