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Opera: Words and Music
This program uses three extracts from the opera Dido and Aeneas to examine the main musical language of opera-recitative, which gives priority to clear pronunciation of words, and aria, where poetic modifications are made to give the fullest emotion...(more details) |
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Composing
How does one embellish a simple tune with melody, harmony, and a variety of timbres to produce an interesting piece of music? In this program, renowned composer George Fenton demonstrates the various techniques on piano and synthesizer. Fenton incorp...(more details) |
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A Change of Key
This program provides the necessary background for a thorough understanding of keys-the tonal arrangement of musical pitches toward a tonic note. The relationship between pitches is examined by rearranging the notes of a tune into a pitch series, or ...(more details) |
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Taking Note
Notation-its historical development, limitations, and use by both classical and modern composers-is the focus of this program. Music historian Susan Rankin traces the history of notation from ninth-century neumes to more complex notations incorporati...(more details) |
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Ensembles in Performance
Two complex pieces of chamber music-Corelli's Concerto Grosso Op. 4 No. 6 and Schubert's Octet in F major-are the focus of this program. Their performance by the Brandenburg Consort and Hausmusik is designed to enhance the development of discriminati...(more details) |
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