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The Romantics
The Romantic movement-a reaction against the orderliness of 18th-century classicism and 19th-century industrialization-strove above all for self-expression. The Romantics composed for themselves and the new bourgeois audiences that now frequented con...(more details) |
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Today and Tomorrow
Music of our time is harder to assess; we should remember that today's war-horses were in their own time shockingly modern, and that contemporary audiences often spurned those whom we most venerate today. This program presents a broad cross-section o...(more details) |
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The Turn of the Century
As we move into the 20th century, music is in transition from Romanticism to Modernism, from self-expression to Realism-or to the attempt to escape from reality to bygone eras. Performers include James Galway and the Vienna Philharmonic under Bernste...(more details) |
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The Mighty Fistful
Until the 19th century, fashionable Russian audiences preferred Western music. Then came Glinka, Balakirev, Mussorgsky, Rimsky-Korsakov, Borodin, Scriabin, and Tchaikovsky. This program covers the distance from folk tradition to the founding of the R...(more details) |
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Land of Our Fathers
Nationalism soon led to a recognition of the classical value of folksong, and an attempt to express in music the language, landscape, and musical traditions of the composer's own country. Contents include excerpts from: Smetana's Ma Vlast; Dvorak's S...(more details) |
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